Video & editing
Short and long formats, designed to hold attention and tell a story.
9:16 vertical 16:9 cinema
Kinetic cyber-tape & shuttle drift
Optical pickup locked | 60.0 FPS ACEScc 1.3
Shorts, Reels & formats mobiles.
Millimetre-precise 9:16 framing, algorithmic retention from the first 3 seconds, animated type and a mastering ribbon scrubbed with the jog and physical inertia.
Standby 0°
Momentum damping : 94.0%
Drag velocity : 0.00 px/f
Velocity skew : 0.00°
Films & stories at scale.
Narrative time, breathing room and clarity of purpose. For documentaries, technical demos and institutional films that need scale and editing rigour.
Calibration ACEScc // DCI-P3 Master 4K Rec.709
Unboxing vintage : 10 cendriers oubliés depuis 30 ans !
Jean-Bat & Peter
- Scope
- Editing, colour grading, sound design
- Audio standards
- EBU R128 (-14 LUFS)
- Master deliverable
- Apple ProRes 422 HQ + MP4 web
From rush to story.
A method from logging to mastered exports for every channel.
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01 // Framing & rush selection
Logging, spotting peak moments, sorting sound takes and cutting dead time.
Rush sortTC sync
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02 // Editing & rhythm
Narrative curve, breathing, cuts, aligned to subject dynamics and viewer attention.
Curve editingBeat aligned
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03 // Sound design & music
Sound sync, voice cleanup, spatialisation, Foley and mix without clipping.
MixVoice & music
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04 // Colour grade & multi-format exports
Colour harmony, subtitles, exports tailored to each platform: 9:16, 1:1, 16:9.
MastersMulti-formats
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